Liquid Color

background and environment A solid, uniform color palette made entirely of thick, paint-like color that matches the main color of the product. The entire frame is filled with dense, viscous color, resembling a pool or field of heavy paint rather than a flat wall or surface. No visible gradient, texture variation, vignette, horizon line, or environmental context. The color tone is consistent across the full image with no shifts in brightness or saturation. Negative space is created only by the absence of splash in certain areas, with more open space toward the top and corners. No background elements interact with the product or liquid. camera and framing A vertical 19:6 composition with a straight-on camera position. The camera is perpendicular to the scene with no tilt, roll, or perspective distortion. Camera height aligns roughly with the central mass of the product, not clearly above or below it. The product is positioned slightly above the vertical center of the frame, allowing the thick paint splash to extend downward and outward. Framing is moderately tight, keeping the splash contained while leaving uninterrupted color visible around its edges. No depth compression or wide-angle effects. subject and pose or placement A single product bottle is captured mid-motion, as if thrown or dropped into the thick color palette. The product is not upright. Its orientation is randomized on each render, with natural rotational variation along all axes. The front label may face partially toward the camera but is not required to be perfectly centered or symmetrical. The cap remains visible, and the bottle appears dynamically suspended within the paint splash rather than resting on any surface. product behavior and physical interaction The product is embedded inside a thick, paint-like splash that originates from behind and around the bottle, as if displaced by impact. The paint wraps tightly around parts of the bottle’s sides and back, forming stretched cavities and pulled contours that conform to its silhouette. The splash expands outward in irregular, heavy shapes with elongated drips and dragged edges pulled downward by gravity. The paint is clearly heavier and more viscous than water, with smooth, continuous surfaces and dense volume. The front of the product remains mostly unobstructed, while the paint visually anchors the bottle through tension and contact rather than floating freely. lighting and materials Soft, controlled studio lighting illuminates the scene evenly. The bottle displays clean, realistic reflections with smooth highlight transitions and no harsh specular hotspots. The thick paint has a satin-to-gloss finish with subtle highlights following its stretched and folded forms. Lighting falloff is minimal and uniform. Shadows exist only within the paint’s folds and cavities, with no cast shadows on the background. The background color remains flat and unaffected by lighting gradients. final constraints Only one product is present. The product must be preserved exactly as it exists in real life, including true shape, proportions, materials, surface finish, colors, transparency, labels, typography, logos, and markings. No additional objects, props, text, symbols, borders, reflections, or overlays appear. The background color and the paint splash color must match the product’s main color. The paint is thick and viscous, never watery. The product orientation is intentionally varied and randomized on each render. Paint viscosity, gravity behavior, edge tension, and contact points are physically realistic and consistent. Camera position, framing logic, lighting balance, and shadow behavior remain fixed. The image is rendered in high-resolution, photorealistic, studio-grade quality with a clean, controlled visual tone.